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Publicado por Fred Hunter undated (c.1965), London, 1965
Librería: William Allen Word & Image, London, Reino Unido
Condición: very good +. Ian Hamilton Finlay with John Furnival, Semi-Idiotic poem, no publisher stated (Fred Hunter?), no place stated (London?), undated (1965?). 331x204 mm. Single cream-coloured sheet printed offset-lithograph in black on recto only. Ian Hamilton Finlay s contribution to the semiotic or code-poem genre invented by Décio Pignatari and Luiz Ãngelo Pinto that had previously appeared in Poor Old Tired Horse #13. The drawing of the Semi-Idiotic Poem is by John Furnival. Condition: ding to top corner, otherwise near fine. Overall Very good+.
Publicado por Wild Hawthorn Press/Ceolfrith Press, Sunderland, 1971
Librería: William Allen Word & Image, London, Reino Unido
Paperback. Condición: Fine. 240 x 174 mm. Undated. Folded periodical, printed blackand white. Issue 13 of Poor Old Tired Horse, with drawings by John Furnival. Prints poems by Mary Ellen Solt, Apollinaire (translated by J.F. Hendry), Lorine Niedecker, Marvin Malone, Jerome Rothenberg and Ian Hamilton Finlay, with Furnival's illustrations providing idiosyncratic visual structure and narrative. This is the second edition reprint that was made for Ceolfrith 14 (large John Funival; portfolio publication). It looks idential to the first edition but is missing the 'semi idiotic poem' insert by Furnival (this was reproduced in a much larger format iin Ceolfrith14). Fine.
Publicado por Edinburgh, Wild Hawthorn Press, 1965
Librería: Libreria Giorgio Maffei, Torino, Italia
Original o primera edición
Stapled bound. Condición: Condition: Very Good. First edition. Folded periodical, printed green on white stock. Issue 15. Green offset, stapled. 8pp. Contributors: Margot Sandeman; George Mackay Brown; Eli Siegel; Edwin Morgan; Ian Hamilton Finlay; Hamish McLaren; Theodore Enslin; Libby Houston; and R.L. Cook. Condition [8] pp; 24,5x17,4 cm.
Publicado por Openings Press, Rooksmoor House, Woodchester, Gloucestershire, England, 1969
Librería: William Allen Word & Image, London, Reino Unido
Paperback. Condición: Very Good. Book. 4pp folding sheet,216 x 152 mm (folded) - blue screen print, black & white printing. Typeface derived from the cyrillic alphabet by Furnival. Condition vg/nf (slight ding top right corner). Murray 3.30.
Publicado por Wild Hawthorn Press, Edinburgh, 1965
Librería: William Allen Word & Image, London, Reino Unido
Paperback. Condición: Very Good +. Poor Old Tired Horse (P.O.T.H.) No. 15 - Spring/Summer 1965, green offset, stapled. 8pp. Contributors: Margot Sandeman; George Mackay Brown; Eli Siegel; Edwin Morgan; Ian Hamilton Finlay; Hamish McLaren; Theodore Enslin; Libby Houston; and R.L. Cook. Condition: Slight toning to covers and minor mark to back cover VG+.
Publicado por Wild Hawthorn Press, Stonypath, Lanark, Scotland, 1967
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Paperback. Condición: Very good+. Book. 229 x 61 mm, stapled, b&w printed wraps. Special issue of Finlay's POTH, focused on the Brighton Concrete Poetry Festival (1967), featuring: Claus Bremer; Eugen Gomringer; Ian Hamilton Finlay; Hansjorg Mayer; John Furnival; Stephen Bann; Edwin Morgan; Kenelm Cox. Photographs by Graham Keen, designed by Alistair Cant. Condition: some handling marks; no tears or writing. Overall: Very good+.
Publicado por Wild Hawthorn Press c.1965, Edinburgh, 1965
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Paperback. Condición: Very good. 240 x 174 mm. Undated c.1965, Finlay's address is givens as Fettes Row in Edinburgh. Folded periodical, printed brown on white stock. Issue 13 of Poor Old Tired Horse, all layout and illustration is by John Furnival. Prints poems by Mary Ellen Solt, Apollinaire (translated by J.F. Hendry), Lorine Niedecker, Marvin Malone, Jerome Rothenberg and Ian Hamilton Finlay, with Furnival's illustrations providing idiosyncratic visual structure and narrative. Includes two inserts as issued, Semi-Idiotic Poem and the Nicole Rabetaud page. Condition: mark top right of front page and also soem marks to the Semi-Idiotic Poem as per images. Overall: Very Good Ref: Murray 2.13.
Publicado por Stuart Mills February 1966, Nottingham, 1966
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Condición: Fine. Poetry 66 programme, published by Stuart Mills, Nottingham, 1966. 255 x 104mm (folded). Folding card screen-printed in dark grey on grey card. Contains the list of participating poets and the programmes for the two days of the festival across Albert Hall (London) and Midland Group Gallery (Nottingham) 18th and 19th of February 1966. Both days were organised by the Trent Bookshop, Nottingham (home of Tarasque Press). Features poem by Ian Hamilton Finlay which was also published in Extra Verse,1965. The poem effectively explains that Finlay can not make the event (in fact due to agrophobia). The poem is also seen in Ian Hamilton Finlay Selections, ed. Alec Finlay p.132 (last poem featured in Early Writings section). Rare. Condition: fine.
Publicado por Glevum Press Ltd., England, 1969
Librería: Daedalus Books, Portland, OR, Estados Unidos de America
Miembro de asociación: CBA
Paperback. Condición: Very Good. Limited Edition. One folded sheet. One of 500 numbered copies. This is number 2. Light soiling to surface. A nice, crisp copy. ; 8vo.
Publicado por Indiana University Press, 1970
Librería: The Idea of the Book, Portland, OR, Estados Unidos de America
Soft cover. Condición: Very Good. Softcover 4to in illustrated wrappers with pages printed in black and white, several plates in color, and one tipped in foldout. 312 pp. To which is added an 8 x 8" three-panel pamphlet printed in black on recto and verso. A comprehensive global survey of concrete poetry edited by the inimitable Mary Ellen Solt. With contributions by Edgardo Antonio Vigo, Augusto and Haroldo de Campos, Edgard Braga, Décio Pignatari, Pedro Xisto, Claus Bremer, Max Bense, Paul de Vree, Hansjörg Mayer, Franz Mon, Ferdinand Kriwet, Ernst Jandl, Diter Rot (Dieter Roth), Ladislav Novák, Öyvind Fahlström, Pierre and Ilse Garnier, Henri Chopin, Julien Blaine, Jean-François Bory, Arrigo Lora-Totino, Adriano Spatola, E. M. de Melo e Castro, Salette Tavares, Ian Hamilton Finlay, Dom Sylvester Houédard (dsh), John Furnival, Robert Lax, and Emmett Williams among several others. Includes an expansive introduction by Mary Ellen Solt, manifestos and statements about concrete poetry by various artists, and short biographies of each contributing artist. Also includes a laid in program of the exhibition held at Indiana University in February 1970 titled 'expose: concrete poetry.' Cover panel illustrated with a concrete poem by Aram Saroyan, and inside panels with an essay on the topic of concrete poetry, a list of contributors organized by country, the exhibition calendar with talk, lectures, and performances, and exhibition credits. Trace amounts of rubbing and wear to covers, including a small black ink mark at left front cover margin, three faint stains at right front cover margin, scattered foxing at top of text block and fore edge, trace amounts of age toning to pages, and a small erasure abrasion at upper right corner of front end paper. Very good. Program with trace amounts of age toning and a faint vertical fold line at middle. Very good.
Publicado por Roaring Fork Press, New York, 1970
Librería: Downtown Books & News, Asheville, NC, Estados Unidos de America
Original o primera edición
Looseleaf paper. Condición: Very Good. First edition. Square (9.5"x9.5"). 12 of 14 sections, loose (box designates 15 sections, the 15th of which was not included). Light toning, very light edgewear, flexi-discs apparently fine and unused (by visual inspection only). Missing S1: the assemble-yourself-box designed by Robert Smith (meant to hold all sections) and S8: The Lennon Diary 1969/Diary of the Future. Present sections include: S2: British Knickers/Ossie Clark (sewing pattern), S3: order form, S4: The Gay Atomic Coloring Book/Eduardo Paolozzi (drawings), S5: Twenty Four Page book/Amaya, Instone, Finch, Robinson, Lucie-Smith and Ballard (essays and fiction), S6 and S7: Souvenir no. 1 and Souvenir no. 2/Peter Blake (pop art), S9: folder that encloses 2 flexi-discs/33rpm (text from Ono, Lennon, Tavener and Logue), S10: flexi-disc/Ono and Lennon, S11: flexi-disc/Tavener and Logue, S12: Europa & Her Bull/John Furnival (fold-out poster), S13: Wave/rock, Ian Hamilton Finlay (concrete poetry) and S14: Notes on Rumpelstiltskin/David Hockney (comic).
Publicado por Scotland: Wild Hawthorn Press., 1965
Librería: Wittenborn Art Books, San Francisco, CA, Estados Unidos de America
Arte / Grabado / Póster
Condición: Good. Letterpress broadside in 2 colors. 17.5 x 22.75 inches. (Murray 1.10)John Furnival's prints and drawings connect his antecedents in the Dada andSurrealist movements to his affinities and associations in the early 1960s with theinnovators of Concrete poetry, the Beat poets, and the Fluxus and Mail Artmovements. Furnival somehow has avoided falling into any one of these .Ian Hamilton Finlay (28 October 1925 ? 27 March 2006) was a Scottish poet, writer, artist, and gardener. He briefly attended Glasgow School of Art and first made his reputation as a writer, publishing short stories and plays in the 1950s. In 1961 he founded the Wild Hawthorn Press with Jessie McGuffie and within a few years had established himself internationally as Britain's foremost concrete poet.
Publicado por Institute of Contemporary Arts, 1965
Librería: Aeon Bookstore, New York, NY, Estados Unidos de America
Original o primera edición
Soft cover. Condición: Very Good. 1st Edition. Rare catalogue for this important show, held from 22 October to 27 November 1965. Curated by Jasia Reichardt, this show and catalogue showcase the nascent and extremely influential realm that may termed "visual poetry" which has resonated for many years following this exhibition. Including Bob Cobbing, Ian Hamilton Finlay, John Latham, Dom Sylvester Houedard, Henri Chopin, Hansjorg Mayer, Isidore Isou, Maurice Lemaitre, Raoul Hausmann, Nanni Balestrini, Diter Rot, Ernst Jandl, Bernard Heidsieck, Kenelm Cox, John Furnival, Edwin Morgan, Tom Edmonds, Eugen Gomringer, and more, including Lettrisme and the Noigandres group. Overall a very nice clean copy of the catalogue. Comb binding is still strong, with no broken tabs, the top and bottom ones slightly weakened but still strong. There is some light rubbing and scuffing to covers, and a couple of small stains. Some grubbinnes to the bottom right corner / edge of the front and one very very light crease on the back cover. Comes with the rare supplement by Houedard, which is bumped/bent at the top corner but otherwise excellent.
Publicado por Odeon, Prague, 1967
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Condición: Very good+. Estado de la sobrecubierta: Very good. 1st Edition. An extensive anthology of concrete poetry. Hardback cloth bound with black and green printed text. In printed dustjacket, looks to be letterpress printed. Text in Czech. 154 x 154mm, 263pp. An impressive array of over 100 contributors from numerous countries, complete with Fluxus fold-out page at the end. One of our favourite concrete poetry anthologies. Contributors include: Hansjorg Meyer, John Furnival, Henri Chopin, Jean-Francois Bory, Bob Cobbing, Dom Sylvester Houedard, Ian Hamilton Finlay, Augusto de Campos, Emmett Williams Robert Filliou, Ben Vautier, Chieko Shiomi, Ferdinand Kriwet, Jiri Kolar, Bela Kolarova, Franz Mon, Edgard Braga, Max Bense, Ernst Uandl, Eugen Gomringer, Diter Rot, Ugo Carrega, Thomas A Clark, John Sharkey et al. The book was taken out of library circulation in 1997 when the Zabreh library and other regional libraries in Sumperk merged (the word 'odepsano', meaning 'taken out of circulation', is just visible beneath the library number inside the book). Condition: Dust jacket has some toning, some closed tears to the edge and a 1cm wide hole in the spine, very good. Internally tight crisp copy, near fine. Overall: very good+.
Publicado por South Street Publications, Bibury, 1966
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Plastic binding. Condición: Very Good+. Estado de la sobrecubierta: Good only. 19 x 18 cm. Arlington Une, exhibition catalogue, Arlington Mill. Exhibition organized by Dom Sylvester Houedard (dsh), John Furnival, Ken Cox and Charles Verey. Introductory essays by David Verey and dsh. 82pp with concertina fold-out by Ernst Jandl and b/w illustrations. A seminal exhibition of concrete poetry. The first of the Arlington exhibitions. A rare and historic catalogue. Artists including : Ernst Jandl, Edgard Braga, Haroldo de Campos, Pedro Xistro, Augusto de Campos, b p Nichol, Jiri Kolar, Jiri Valoch, Ladislav Novak, Charles Verey, John Furnival, dsh, Ken Cox, Henri Chopin, Bernard Heidsieck, Ian Hamilton Finlay, Edwin Morgan, Henry Clyne, Ben Vautier, Raoul Haussmann, Julien Blaine, J.F.Bory, Hansjorg Mayer, Franz Mon, Timm ulrichs, Diter rot, Carlo Belloli, Adriano Spatola, Juan Hildago, Henry Flynt, George Macuinas, d.a. levy, Aram Saroyan, Robert Watts and others. Silkscreen cover by John Furnival. Condition: Foxing as seen to covers and water stain mark top outside corner of both back and front cover. No tears or writing. Internally some light spotting. Overall Very Good+ in Good only covers. Plastic binding intact.
Publicado por De Bladen Voor de Poezie, Lier, Belgium, 1968
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Hardcover. Condición: Good +. 1st Edition. Paul de Vree, Poezie in Fusie, De Bladen Voor de Poezie, Lier, Belgium, 1968. 304 x 208mm, 128pp. Printed black on white stock. Printed by Sanderus in Oudenaarde, commissioned by de Bladen Voor de Poezie. Cover design by Walter Pluym. Introduction by Paul de Vree who edited this International Concrete Poetry Anthology. Illustrations of work by the editor together with Pierre Albert-Birot,Alain Arias-Mission, Ronaldo Azerido, Stephen Bann, Max Bense, Julien Blaine, J.F.Bory, Edgar Braga, Augusto de Campos, Haroldo de Campos, Ugo Carrega, Henri Chopin, Hans Clavin, Bob Cobbing, Oyvind Fahlstrom, Ian Hamilton Finlay, john Furnival, Heinz Gappmayr, Hochen Gerz,Mathias Goeritz, Eugen Gomringer, B.Grogerova, J.Hirsal, Jose Lino Grunwald, Brion Gysin, Dom Sylvester Houedard, ernst Jandl, Jiri Kolar, F.Kriwet, A.Lora-Titino, Hansjorg Mayer, Franz Mon, M.Nannucci, D.Pignatari, Diter Rot, Gerhard Ruhm, John Sharkey, Mary Ellen Solt, Adriano Spatola, Timm Ulrichs, Jiri Valoch, Edgardo Antonio Vigo, Herman de Vries, Ivo Vroom, Emmett Williams, Pedro Xisto et al. Text in Flemish. Condition: slight toning throughout, general wear to hard cover on edges and corners, Very Good +.
Publicado por Joglars, Providence, 1966
Librería: Derringer Books, Member ABAA, Avon, CT, Estados Unidos de America
Original o primera edición
Paperback. Condición: Very Good. First edition. Complete set of the three volumes of this small press poetry journal edited by Clark Coolidge and Michael Palmer for the first two issues. Numbers 1 and 2 are in identical 8vo format; issue 3 is in tall side-stapled wrappers. The first two issues are in clean very good condition. Issue #3, by far the scarcest of the group, has rusted staples as often seen, but is otherwise in near fine condition. With a remarkable cast of contributors including everyone from Louis Zukofsky, Jonathan Williams, and Lorine Niedecker in Volume 1 to Stan Brakhage, Larry Eigner and Piero Heliczer in Volume 2 to Aram Saroyan, John Perreault and Coolidge himself in Volume 3. Published between 1964 and 1966. Coolidge was the solo editor for Volume 3. Issue Number 2 has been SIGNED by poet and White Panther party member John Sinclair.
Publicado por Wild Hawthorn Press, Scotland, 1969
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Condición: Very good+. Ian Hamilton Finlay with John Furnival, Poem/Print No. 11, Wild Hawthorn Press, Scotland, April 1969. 510 x 715mm. Silkscreen print. Ref. Simig: 4.69.2 Murray: 5.15 Extra postage required (posted in a roll). Condition: slightly ruffled bottom edge, some toning to edges. Overall: Very good+.
Publicado por Wild Hawthorn Press, Scotland, 1970
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Condición: Very good++. Ian Hamilton Finlay with John Furnival, Poem/Print No. 14, Wild Hawthorn Press, Scotland, April 1970. 510 x 710mm. Silkscreen print. Ref. Simig: 4.70.4 Murray: 5.20 Extra postage required (posted in a roll). Condition: minor ding top left, very slight foxing to left edge. Overall: Very good++.
Publicado por Openings Press 1965-1969, Woodchester, Gloucestershire, 1965
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Condición: Very good+. Plakats no. 1-10 (complete set), Openings Press, Rooksmoor House, Woodchester, Gloucestershire, 1965-1969. 10 printed cards, each approx. 262 x 204mm. Openings Press was founded in 1965 by John Furnival and Dom Sylvester Houédard together with Edward Wright, a foremost graphic designer of the time. This collection includes all 10 plakats with works by various international concrete poets; in effect, it constitutes an exhibition or survey of concrete poetry by one of the most interesting presses of the period. Condition: 1. minor ding top left, slight rubbing to edges. Overall: vg+/near fine2. minor rubbing to corners. Overall: near fine3. minor rubbing to corners. Overall: near fine4. rubbing to top edge and bottom corners, slight toning to bottom edge. Overall: vg+5. minor toning, slight rubbing to corners. Overall: vg++6. minor rubbing to corners, minor toning. Overall: vg+7. minor rubbing to top left corner, minor spotting. Overall: vg+8. some handling and rubbing to edges, minor spotting. Overall: vg9. toning to bottom and top. Overall: vg/vg10. inscribed by George Dowden to Peter Finch on verso, dated 18/03/70, rubbing to bottom corners, minor wear. Overall: vg+Overall condition of set: Very good+.