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Publicado por Stuttgart, edition hansjörg mayer, 1966., 1966
Librería: C O - L I B R I , Bremen - Berlin ; Deutschland / Germany ., Berlin, Alemania
Groß-ausfaltbarer Bogen, 24 x 16 cm (ausgefaltet: 48 x 64 cm). *** 1. AUFLAGE. - SEHR GUTES EXEMPLAR DER FRAGILEN PUBLIKATION; weitere Nummern der konkret-/visuell-poetischen typographischen Edition im Bestand. . .
Publicado por Odeon, Prague, 1967
Librería: The Idea of the Book, Portland, OR, Estados Unidos de America
Original o primera edición
First edition. Square hardcover 8vo bound in white cloth foil stamped in black and green at front cover and spine. With front endpapers printed in green, pages mostly printed in black, some in black and green, and a gatefold at rear endpaper. Housed in dust jacket printed in black and green. 265 pp. Text mostly in Czech, some French, English, and German. Artists' book in the form of an international anthology of experimental, visual, and concrete poetry. With contributions by Pierre Albert-Birot, Guillaume Apollinaire, Alain Arias-Misson, Konrad Bayer, Carlo Belloli, Max Bense, Mirella Bentivoglio, Jean-François Bory, Edgard Braga, Claus Bremer, Augusto de Campos, Haroldo de Campos, Ugo Carrega, Henri Chopin, Bob Cobbing, Theo van Doesburg, Paul de Vree, Herman de Vries, Reinhard Döhl, Öyvind Fahlström, Heinz Gappmayr, Pierre Garnier, Mathias Goeritz, Eugen Gomringer, Bohumila Grögerová, Isidore Isou, José Lino Grünewald, Ian Hamilton Finlay, Yasuo Fujitomi, Raoul Hausmann, Dick Higgins, Josef Hirsal, Dom Sylvester Houédard, Ernst Jandl, Hiro Kamimura, Katué Kitasono, Jirí Kolár, Ferdinand Kriwet, Maurice Lemaître, Arrigo Lora-Totino, Stéphane Mallarmé, Filippo Tommaso Marinetti, Hansjörg Mayer, Franz Mon, Edwin Morgan, Maurizio Nannucci, Seiichi Niikuni, bp Nichol, Ladislav Novák, Décio Pignatari, Diter Rot (Dieter Roth), Gerhard Rühm, Aram Saroyan, Kurt Schwitters, Edward Lucie Smith, Mary Ellen Solt, Adriano Spatola, Vagn Steen, Shohachiro Takahashi, André Thomkins, Timm Ulrichs, Milos Urbásek, Wolf Vostell, and Emmett Williams among others. Includes an introduction by Milos Juzl. Book design by Czech designer and typographer Oldrich Hlavsa, whose understanding of the movement is evident through the design of the book which is approached as a work concrete poetry in its own right. One of our most favorite visual and concrete poetry anthologies. Book with trace amounts of rubbing and light bowing to boards, previous owner's bookplate affixed to inside left cover, including a small stain at upper margin which has created a small area of ink loss to the green endpapers and first page, a few pages with light diagonal fold lines at upper right tips, and trace amounts of age toning to pages. Very good. Dust jacket now housed in a mylar jacket with trace amounts of age toning, faint spotting, and a few small closed tears along margins. Very good.
Publicado por Odeon, Prague, 1967
Librería: William Allen Word & Image, London, Reino Unido
Original o primera edición
Condición: Very good+. Estado de la sobrecubierta: Very good. 1st Edition. An extensive anthology of concrete poetry. Hardback cloth bound with black and green printed text. In printed dustjacket, looks to be letterpress printed. Text in Czech. 154 x 154mm, 263pp. An impressive array of over 100 contributors from numerous countries, complete with Fluxus fold-out page at the end. One of our favourite concrete poetry anthologies. Contributors include: Hansjorg Meyer, John Furnival, Henri Chopin, Jean-Francois Bory, Bob Cobbing, Dom Sylvester Houedard, Ian Hamilton Finlay, Augusto de Campos, Emmett Williams Robert Filliou, Ben Vautier, Chieko Shiomi, Ferdinand Kriwet, Jiri Kolar, Bela Kolarova, Franz Mon, Edgard Braga, Max Bense, Ernst Uandl, Eugen Gomringer, Diter Rot, Ugo Carrega, Thomas A Clark, John Sharkey et al. The book was taken out of library circulation in 1997 when the Zabreh library and other regional libraries in Sumperk merged (the word 'odepsano', meaning 'taken out of circulation', is just visible beneath the library number inside the book). Condition: Dust jacket has some toning, some closed tears to the edge and a 1cm wide hole in the spine, very good. Internally tight crisp copy, near fine. Overall: very good+.